Slab Square Dyrih 6 is a bold, normal width, low contrast, upright, normal x-height font visually similar to 'Greek Font Set #1' by The Fontry (names referenced only for comparison).
Keywords: headlines, posters, signage, packaging, logos, industrial, western, rugged, poster, retro, impact, vintage, durability, clarity, blocky, squared, sturdy, compact, ink-trap.
A heavy, block-built slab serif with squared terminals and broadly uniform stroke weight. Counters tend to be rounded-rectangular, and many joins are reinforced with subtle corner notches that read like ink traps or punched-in corners, adding a utilitarian, machined feel. The lowercase is compact with sturdy verticals and short, firm serifs; the uppercase maintains wide, stable proportions with flat tops and bottoms that emphasize horizontality. Numerals follow the same squared, robust construction, producing a consistent texture in lines of text with strong, even color.
Best suited to short-to-medium display settings such as headlines, posters, signage, and packaging where its blocky slabs and squared counters can carry impact. It can also work for logo wordmarks and labels that benefit from a sturdy, retro-industrial voice, and for brief text snippets where a strong, even texture is desired.
The overall tone feels rugged and workmanlike, with a vintage poster and storefront energy. Its square details and reinforced corners suggest industrial signage and classic western display typography, projecting toughness and straightforwardness rather than delicacy.
The letterforms appear designed to deliver maximum presence with minimal contrast, combining slab-serifs and squared terminals for high-impact readability. The added corner notches suggest an intention to evoke old printing or signage conventions while improving clarity at tight joins and corners.
The design’s distinctive corner cut-ins create crisp internal rhythm at small-to-medium display sizes, while the dense shapes can feel assertive in longer passages. Wide, flat slab features give letters a grounded stance and strong silhouette recognition, especially in headlines.