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Free for Commercial Use

Sans Superellipse Pilov 1 is a very bold, very narrow, low contrast, upright, tall x-height font visually similar to 'Nicotine' by Chank; 'Cooperative' by Hafontia; 'Angmar', 'Delonie', and 'Headpen' by Umka Type; and 'Winner Sans' by sportsfonts (names referenced only for comparison).

Keywords: headlines, posters, sports branding, packaging, signage, industrial, compressed, poster, authoritative, sporty, space saving, high impact, modern utility, brand punch, headline clarity, condensed, blocky, rounded corners, square-oval.


Free for commercial use
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This typeface is a condensed, heavy sans with a squared, rounded-rectangle construction throughout. Curves resolve into softened corners and superellipse-like bowls, while straight strokes stay vertical and clean, producing a taut, uniform rhythm. Counters are relatively compact and apertures are tight, giving letters like C, S, and e a sturdy, enclosed feel. Terminals are mostly blunt, with occasional angled joins (notably in V/W) that add a sharp, engineered edge. Figures and punctuation follow the same compact, robust build for a consistent, high-density texture in text.

Best suited to display work where compact width and strong weight are beneficial: headlines, posters, sports or team identities, packaging callouts, and signage that needs to hit quickly. It can also work for labels, UI badges, and editorial subheads when a dense, assertive typographic voice is desired.

The overall tone is forceful and pragmatic, with a compressed, no-nonsense presence that reads as industrial and contemporary. Its squared softness blends toughness with approachability, evoking athletic and display-driven branding rather than quiet neutrality. The tight spacing and solid massing create a sense of urgency and emphasis.

The design appears intended to deliver maximum impact in limited horizontal space, using a consistent rounded-rect geometry to keep forms bold, sturdy, and modern. It prioritizes punchy presence and uniform texture over open, airy readability, making it a natural choice for attention-grabbing display typography.

In longer lines the condensed proportions create strong verticality and dark color, so the face naturally gravitates toward short, emphatic settings. The rounded-rectangle geometry stays consistent across uppercase, lowercase, and numerals, helping headlines feel cohesive even with mixed-case and figures.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸