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Free for Commercial Use

Sans Superellipse Pilov 1 is a very bold, very narrow, low contrast, upright, tall x-height font visually similar to 'Nicotine' by Chank; 'Cooperative' by Hafontia; 'Angmar', 'Delonie', and 'Headpen' by Umka Type; and 'Winner Sans' by sportsfonts (names referenced only for comparison).

Keywords: headlines, posters, sports branding, packaging, signage, industrial, compressed, poster, authoritative, sporty, space saving, high impact, modern utility, brand punch, headline clarity, condensed, blocky, rounded corners, square-oval.


Free for commercial use
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This typeface is a condensed, heavy sans with a squared, rounded-rectangle construction throughout. Curves resolve into softened corners and superellipse-like bowls, while straight strokes stay vertical and clean, producing a taut, uniform rhythm. Counters are relatively compact and apertures are tight, giving letters like C, S, and e a sturdy, enclosed feel. Terminals are mostly blunt, with occasional angled joins (notably in V/W) that add a sharp, engineered edge. Figures and punctuation follow the same compact, robust build for a consistent, high-density texture in text.

Best suited to display work where compact width and strong weight are beneficial: headlines, posters, sports or team identities, packaging callouts, and signage that needs to hit quickly. It can also work for labels, UI badges, and editorial subheads when a dense, assertive typographic voice is desired.

The overall tone is forceful and pragmatic, with a compressed, no-nonsense presence that reads as industrial and contemporary. Its squared softness blends toughness with approachability, evoking athletic and display-driven branding rather than quiet neutrality. The tight spacing and solid massing create a sense of urgency and emphasis.

The design appears intended to deliver maximum impact in limited horizontal space, using a consistent rounded-rect geometry to keep forms bold, sturdy, and modern. It prioritizes punchy presence and uniform texture over open, airy readability, making it a natural choice for attention-grabbing display typography.

In longer lines the condensed proportions create strong verticality and dark color, so the face naturally gravitates toward short, emphatic settings. The rounded-rectangle geometry stays consistent across uppercase, lowercase, and numerals, helping headlines feel cohesive even with mixed-case and figures.

120px
108px
96px
84px
72px
64px
56px
48px
44px
40px
36px
32px
30px
28px
26px
24px
22px
20px
19px
18px
17px
16px
15px
14px
13px
12px
11px
10px
9px
8px
Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸