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Free for Commercial Use

Sans Normal Osmuh 14 is a very bold, wide, medium contrast, upright, normal x-height font visually similar to 'Another Grotesk' by Aleksandrs Golubovs and 'Pais' by Latinotype (names referenced only for comparison).

Keywords: headlines, posters, branding, packaging, social ads, confident, friendly, playful, contemporary, bold, impact, approachability, modernity, clarity, rounded, geometric, soft, compact joints, high impact.


Free for commercial use
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A heavy, rounded sans with broad, circular counters and smooth, continuous curves. Stroke endings are clean and mostly squared-off, while corners are generously softened, producing a cushioned silhouette. The lowercase shows single-story forms (notably a and g) and open, straightforward construction, with sturdy verticals and wide bowls that keep interiors readable at large sizes. Overall spacing and rhythm feel even and stable, with a slightly bouncy, chunky texture created by the large curves and compact joins.

Best suited for headlines and short-to-medium display text where high visual presence is needed—brand marks, campaign graphics, packaging callouts, and social or web advertising. It can also work for large UI labels or signage where a friendly, bold tone is desired, but its dense weight suggests avoiding long passages at small sizes.

The tone is assertive yet approachable: big, soft shapes give it a friendly, contemporary voice with a hint of playfulness. It reads as confident and attention-getting without feeling sharp or technical, making it well suited to upbeat, consumer-facing messaging.

Likely designed to deliver maximum impact with a welcoming, rounded geometry—combining sturdy, high-ink shapes with simple, modern letterforms for clear, energetic communication in branding and promotional contexts.

Round letters like O/C/G/Q emphasize near-circular geometry, and the numerals echo the same soft, weighty forms, especially in 6–9 and the double-loop 8. The design’s strong mass and smooth curves favor display use, where the rounded terminals and large counters can shine without crowding.

120px
108px
96px
84px
72px
64px
56px
48px
44px
40px
36px
32px
30px
28px
26px
24px
22px
20px
19px
18px
17px
16px
15px
14px
13px
12px
11px
10px
9px
8px
Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸