Sans Superellipse Osluh 2 is a very bold, narrow, low contrast, upright, normal x-height font visually similar to 'Gibstone' by Eko Bimantara, 'Neusa Neu' by Inhouse Type, 'Neue Helvetica' and 'Neue Helvetica Paneuropean' by Linotype, 'Aago' by Positype, and 'Palo' by TypeUnion (names referenced only for comparison).
Keywords: headlines, posters, logos, signage, packaging, confident, industrial, poster, athletic, assertive, impact, compactness, modernity, clarity, branding, blocky, compact, rounded corners, tight spacing, geometric.
A heavy, compact sans with squared-off geometry softened by rounded corners. Strokes are uniformly thick with minimal modulation, producing a dense, highly graphic texture. Counters tend to be small and tight, and joins read as sturdy and engineered rather than calligraphic. Round letters like O/C are drawn as squarish superellipse forms, while diagonals (V/W/X/Y) are straight and strongly braced, reinforcing a condensed, punchy rhythm overall.
Best suited for short, high-impact settings such as headlines, posters, signage, and logo wordmarks where strong presence is needed. It can also work on packaging and labels, especially when large sizes and generous line spacing are used to offset the dense interior spaces.
The tone is bold and no-nonsense, leaning toward industrial signage and athletic branding. Its compact proportions and dark color create an urgent, attention-grabbing voice that feels modern and utilitarian rather than delicate or expressive.
This design appears intended to deliver maximum visual punch in a compact footprint: a bold, engineered sans that stays clean and contemporary while using rounded-rectangle forms to keep the geometry approachable and consistent.
The uppercase carries a strong headline presence, with crisp terminals and consistent vertical stress. Numerals are equally weighty and straightforward, matching the alphabet’s compact, block-forward feel. In text, the tight counters and dense strokes create a solid bar of tone that favors impact over airiness.