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Free for Commercial Use

Sans Superellipse Olgiw 8 is a bold, narrow, low contrast, upright, normal x-height font visually similar to 'Cadmium' by AVP, 'FF Good' by FontFont, and 'Molde' by Letritas (names referenced only for comparison).

Keywords: headlines, posters, branding, packaging, signage, modern, industrial, confident, functional, condensed, space saving, strong impact, systematic tone, softened geometry, rounded corners, squared rounds, compact, sturdy, clean.


Free for commercial use
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This typeface features compact, condensed proportions with heavy, even strokes and softly squared rounding throughout. Curves resolve into superellipse-like forms, giving round letters a rounded-rectangle character rather than a geometric circle. Terminals are mostly blunt and flat, joins are tight, and counters are relatively small, producing a dense, solid texture. The lowercase shows simple, sturdy construction with short ascenders/descenders and minimal modulation, while figures follow the same compact, squared-round geometry.

It performs best in headlines, posters, packaging, and signage where a compact footprint and strong presence are valuable. The dense color and squared-round geometry also fit well in modern branding systems, interface headings, and labels where space is limited but legibility and consistency are important.

The overall tone is modern and utilitarian, with a strong, no-nonsense voice. Its rounded-rectangle curves add a friendly softness to an otherwise industrial, engineered feel, balancing approachability with authority. The condensed rhythm reads as efficient and space-conscious, suited to contemporary UI and branding contexts.

The font appears designed to deliver a contemporary condensed sans with a distinctive superellipse geometry, optimizing for impact and efficient line length. The rounded-rectangle shaping suggests an intention to feel engineered and systematic while staying approachable and visually smooth.

The design maintains a consistent squared-round motif across both uppercase and lowercase, creating a cohesive system-like appearance. Wide letters such as M and W remain compact, and the punctuation/sample setting suggests an emphasis on clarity and impact at larger sizes and in short lines of text.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸