Sans Superellipse Myfa 9 is a very bold, narrow, medium contrast, upright, tall x-height font visually similar to 'Pocky Block' by Arterfak Project, 'Gulkit Miski' by Denustudio, 'Ole' by Fly Fonts, 'FF Hardsoul' and 'FF Softsoul' by FontFont, 'Gf Special' by Gigofonts, 'Odradeck' by Harvester Type, and 'Motte' by TypeClassHeroes (names referenced only for comparison).
Keywords: headlines, posters, packaging, sports branding, signage, industrial, assertive, retro, technical, sporty, compact impact, geometric system, display emphasis, brandability, condensed, rounded corners, blocky, squared, modular.
This typeface is built from compact, rounded-rectangle forms with generous corner radii and mostly uniform stroke weight. Letters are condensed and vertically oriented, with tight interior counters and squared-off terminals that keep the silhouettes clean and block-like. Curves are superelliptical rather than circular, giving bowls and rounds a controlled, engineered feel. The lowercase follows the same modular logic with simple, sturdy shapes and a tall x-height, while numerals are similarly squared and compact for consistent texture in tabular-looking runs.
It performs best in short, high-impact settings such as headlines, posters, logotypes, labels, and packaging where its condensed width and sturdy shapes can carry strong contrast against backgrounds. It can also work for signage and sports or industrial branding when set with ample size and spacing to preserve counter clarity.
The overall tone is bold and no-nonsense, with a utilitarian, industrial flavor that reads as slightly retro and poster-driven. Its condensed, rounded-block construction suggests strength and machinery while staying friendly enough to feel approachable rather than harsh.
The design appears intended to deliver maximum visual punch in a compact measure, using rounded-rectangular geometry to create a distinctive, systemized look. It prioritizes uniformity, strong silhouettes, and efficient space usage for display typography that remains cohesive across uppercase, lowercase, and figures.
The face maintains a steady rhythm across lines thanks to consistent widths and tightly managed counters; at smaller sizes the enclosed spaces may feel dense, while at display sizes the geometry becomes a defining stylistic feature. The ampersand shares the same squared, softened geometry, reinforcing the font’s cohesive, modular system.