Sans Other Gima 2 is a very bold, normal width, low contrast, upright, normal x-height font.
Keywords: headlines, posters, packaging, logos, title cards, playful, chunky, retro, cartoonish, friendly, maximum impact, distinctive voice, display emphasis, playful branding, soft corners, rounded geometry, notched cuts, bulbous, compact spacing.
A heavy, rounded sans with inflated, blocky forms and softened corners. Strokes are broadly uniform, with large counters and a compact rhythm that packs letters tightly in text. Many glyphs show distinctive angular notches and wedge-like cut-ins at joins and apertures, creating a chiseled, faceted feel within otherwise smooth silhouettes. The uppercase is squat and broad, while the lowercase stays sturdy and simplified, with prominent dots on i/j and strongly shaped bowls on a, e, o, and g. Numerals are similarly chunky and geometric, designed to read as solid shapes at display sizes.
Best suited to display typography where mass and personality are assets: headlines, posters, title treatments, packaging, and logo wordmarks. It can work for short blurbs or callouts when set with extra spacing, but it is most effective when used large enough for its notched details and big counters to stay clear.
The overall tone is bold and upbeat, leaning toward a playful retro poster sensibility. Its chunky silhouettes and quirky cut-in details give it a humorous, cartoon-title energy while still reading as a cohesive sans. The texture in paragraphs feels dense and punchy, emphasizing impact over subtlety.
The design appears intended to deliver maximum visual impact with a friendly, stylized voice. By combining rounded, oversized letterforms with deliberate angular cut-ins, it aims to feel both approachable and distinctive—optimized for attention-grabbing display settings rather than neutral text work.
In longer lines, the weight and tight internal spacing create a strong color on the page, so it benefits from generous tracking and line spacing. The repeated notch motif adds character and helps differentiate similar shapes (like C/G/S), but it can also introduce visual busyness at smaller sizes.