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Free for Commercial Use

Sans Normal Vimoj 5 is a bold, wide, low contrast, italic, normal x-height font visually similar to 'BR Candor' and 'BR Segma' by Brink, 'FS Aldrin' and 'FS Emeric' by Fontsmith, and 'Halcom' by The Northern Block (names referenced only for comparison).

Keywords: headlines, posters, branding, sportswear, packaging, confident, sporty, dynamic, modern, friendly, impact, momentum, modernity, clarity, approachability, oblique, geometric, rounded, compact, blocky.


Free for commercial use
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A bold, oblique sans with rounded, geometric construction and broadly open counters. Strokes are consistently heavy with minimal contrast, and terminals read clean and mostly blunt, giving the forms a sturdy, engineered feel. The slant is strong and uniform across capitals, lowercase, and figures, while spacing is kept practical for large display sizes. Lowercase shapes are simple and sturdy (single-storey a and g), and the numerals follow the same broad, rounded logic for a cohesive rhythm.

This font works best in short to medium-length display settings where impact and pace are desirable—headlines, posters, campaign graphics, brand marks, and energetic packaging. It also suits sports and lifestyle contexts, as well as bold UI accents such as section headers or promotional callouts where a dynamic slant helps guide the eye.

The overall tone is energetic and assertive, with a forward-leaning posture that suggests motion and momentum. Its chunky curves and simplified shapes keep it approachable rather than severe, making it feel contemporary and promotional. The weight and slant together communicate impact, speed, and confidence.

The design appears intended to deliver high-impact legibility with a modern, motion-oriented voice. By combining heavy strokes with rounded geometry and a pronounced slant, it aims to read quickly at size while projecting a contemporary, athletic confidence.

Capital forms maintain a clean, near-geometric skeleton; bowls are generously rounded (B, P, R) and the O is close to circular. Diagonal-heavy letters (K, V, W, X, Y) emphasize the italic angle and contribute to a fast, punchy texture in words. The figures are large and sturdy, suited to attention-grabbing numeric content.

120px
108px
96px
84px
72px
64px
56px
48px
44px
40px
36px
32px
30px
28px
26px
24px
22px
20px
19px
18px
17px
16px
15px
14px
13px
12px
11px
10px
9px
8px
Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸