Sans Normal Kanuz 12 is a bold, wide, low contrast, italic, normal x-height font visually similar to 'Mirai' by GT&CANARY, 'Neptune' by Indian Type Foundry, 'Clear Sans Text' and 'Grava' by Positype, 'Neue Reman Sans' by Propertype, 'Geograph' by Sarah Khan, and 'Glot' and 'Glot Round' by Wordshape (names referenced only for comparison).
Keywords: headlines, posters, branding, sportswear, packaging, sporty, assertive, modern, dynamic, friendly, impact, energy, modernity, approachability, clarity, oblique, rounded, geometric, compact, high impact.
A heavy, forward-slanted sans with broad proportions and smooth, rounded geometry. Strokes are consistently thick with minimal modulation, and terminals are clean and largely straight-cut, producing a crisp silhouette. Curves are generous and circular (notably in O/C/G), while diagonals (A/V/W/X/Y) feel sturdy and stable. Counters are moderately open for the weight, and spacing is set to support large, emphatic setting without looking cramped.
Best suited to headlines, campaign lines, posters, and branding where a forceful, modern voice is needed. It works well for sports and lifestyle graphics, packaging callouts, and large-scale signage, and can be effective for short UI highlights or labels when strong emphasis is desired.
The overall tone is energetic and confident, with a fast, forward motion from the slant and a punchy presence from the dense stroke weight. Rounded forms keep it approachable rather than severe, giving it a contemporary, athletic feel suited to bold messaging.
The design appears intended to deliver maximum impact with a clean, geometric sans structure and an oblique stance that adds momentum. Its consistent stroke weight and rounded construction suggest a focus on bold display performance and contemporary brand versatility.
Uppercase forms read strongly at distance, while lowercase retains a simple, utilitarian construction that favors clarity in short bursts. Numerals match the overall heft and slant, with rounded figures that feel consistent with the letterforms.