Sans Normal Olnab 3 is a bold, normal width, low contrast, upright, normal x-height font visually similar to 'Mesveda' by Agny Hasya Studio, 'Normaliq' by Differentialtype, 'Plasto' by Eko Bimantara, 'Parson' by Genetype, 'Kind Sans' by Gravitype, 'Associate Sans' by Indian Type Foundry, 'Crique Grotesk' by Stawix, 'Mundial Narrow' by TipoType, and 'Hartwell' by W Type Foundry (names referenced only for comparison).
Keywords: headlines, posters, branding, packaging, signage, friendly, retro, playful, chunky, approachable, display impact, friendly tone, retro appeal, brand voice, soft corners, rounded, sturdy, compact, high impact.
A heavy, rounded sans with broad strokes and softened corners throughout. Curves are generous and smooth, with round counters and bowl shapes that stay open and legible at display sizes. Terminals are mostly blunt with subtle shaping, and the overall construction favors compact, stable proportions rather than strict geometric precision. The lowercase shows single-storey forms and simple, sturdy joins, while numerals follow the same rounded, weighty rhythm for a consistent color on the page.
Best suited to headlines, posters, logos, packaging, and signage where a bold, friendly voice is needed. It can work for short UI labels or badges when space allows, but its dense texture is most effective in display settings rather than long-form text.
The font reads warm and upbeat, with a slightly nostalgic, mid-century poster feel. Its chunky silhouettes and soft curves give it an inviting personality that feels casual and confident rather than technical or severe.
The design appears intended as a personable display sans that maximizes impact while staying approachable. By combining thick strokes with rounded geometry and simplified letterforms, it aims for quick readability and a distinctive, cheerful tone.
The overall texture is dense and high-ink, producing strong presence in headings and short lines. Round letters (O, C, G, Q) and curved lowercase forms help keep the heavy weight from feeling overly rigid, while diagonals (A, V, W, X, Y) remain crisp and emphatic.