Font Hero

Free for Commercial Use

Sans Superellipse Hudiy 9 is a very bold, normal width, low contrast, upright, tall x-height font visually similar to 'Chamelton' by Alex Khoroshok, 'Organetto' by Latinotype, 'Volcano' by Match & Kerosene, 'Helvetica Now' by Monotype, 'Navine' by OneSevenPointFive, and 'Winner Sans' by sportsfonts (names referenced only for comparison).

Keywords: headlines, posters, logos, packaging, signage, bold, confident, industrial, playful, retro, impact, brand voice, ruggedness, friendly geometry, display clarity, blocky, rounded, compact, sturdy, geometric.


Free for commercial use
Customize the font name

A heavy, compact sans with rounded-rectangle construction and softened corners throughout. Curves are broad and squared-off rather than circular, giving counters a boxy, superelliptical feel in letters like O, C, and G. Strokes are consistently thick with minimal modulation, producing dense color and strong presence; terminals are mostly flat, with occasional squared notches and tight apertures that keep forms compact. The lowercase shows a large x-height and short extenders, while capitals are wide-shouldered and stable, creating an even, poster-like rhythm in text.

Best suited for short, high-impact applications such as headlines, posters, branding marks, packaging, and bold UI labels. It performs well where strong silhouette and dense typographic color are desirable, and where a rounded, geometric industrial flavor supports the message.

The overall tone is assertive and sturdy, with a friendly edge from the rounded geometry. It reads as contemporary but nods to retro sports and industrial labeling, balancing toughness with approachability. The dense weight and compact shapes create a punchy, attention-grabbing voice.

The design appears intended to deliver maximum impact with a compact, rounded-rectilinear geometry that stays consistent across the set. It prioritizes bold readability and a distinctive, sturdy texture, aiming to feel both modern and slightly retro in display settings.

At smaller sizes the tight apertures and heavy joins can make interiors feel crowded, so it benefits from generous tracking and line spacing when used in text blocks. The numerals match the same squared, rounded-rectangle logic, keeping a consistent, utilitarian rhythm across alphanumerics.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸