Sans Superellipse Yeso 8 is a very bold, very wide, medium contrast, italic, normal x-height font visually similar to 'ATC Duel' by Avondale Type Co., 'OL London' by Dennis Ortiz-Lopez, 'Muller Next' by Fontfabric, 'Murs Gothic' by Kobuzan, 'Otoiwo Grotesk' by Pepper Type, and 'Heading Now' by Zetafonts (names referenced only for comparison).
Keywords: posters, headlines, sports branding, packaging, logos, sporty, punchy, energetic, retro, assertive, impact, motion, approachability, branding, display, slanted, rounded, blocky, compact, soft corners.
A heavy, right-slanted sans with broad proportions and a distinctly rounded-rectangle (superellipse) construction. Curves are full and inflated, while terminals are smoothly blunted rather than sharply cut, giving letters a soft but forceful silhouette. Counters are relatively tight (notably in O, B, 8), and joins feel sturdy, producing a dense, poster-ready color. The rhythm is wide and steady, with simple, geometric shapes and consistent rounding across uppercase, lowercase, and numerals.
Best suited to large-scale display work where weight and slant can deliver immediate emphasis—posters, event graphics, sports and esports identities, packaging, and short, high-impact headlines. It can also work for logo wordmarks and product names where a rounded, energetic presence is desired, but its dense counters and strong slant make it less ideal for extended small-size text.
The font reads loud, fast, and confident—like a headline face built for impact. Its rounded geometry keeps the tone friendly and approachable, while the strong slant adds motion and a sporty, performance-oriented feel. Overall it suggests bold branding with a slightly retro, arcade-or-athletics energy.
The design appears intended to merge high-impact signage weight with softened, superelliptical rounding, creating a bold display sans that feels both aggressive and approachable. The consistent slant and simplified forms point to quick readability at large sizes and strong brand memorability.
Lowercase forms stay chunky and compact, with single-storey shapes (a, g) that reinforce the geometric, simplified voice. The numerals match the letterforms with similarly rounded apertures and heavy strokes, maintaining a unified texture in mixed alphanumeric settings.