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Free for Commercial Use

Sans Normal Iszi 4 is a very bold, very wide, medium contrast, italic, tall x-height font visually similar to 'ATC Duel' by Avondale Type Co., '1312 Sugoi' by Ezequiel Filoni, 'Muller Next' by Fontfabric, 'PODIUM Sharp' by Machalski, and 'Heading Now' by Zetafonts (names referenced only for comparison).

Keywords: headlines, posters, branding, sports, packaging, sporty, dynamic, punchy, retro, impact, motion, display, approachability, rounded, soft corners, slanted, chunky, compact spacing.


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A heavy, slanted sans with broad proportions and strongly rounded forms. Strokes are thick and even, with softened corners and wide, oval counters that keep the shapes open despite the dense weight. The italics are built into the construction rather than added as a simple shear, giving letters a forward-leaning, streamlined silhouette. Terminals and joins feel smooth and sculpted, producing a cohesive, high-impact texture in words and lines of text.

Works best for large-scale display applications such as headlines, posters, brand marks, and sports or event graphics where impact and motion are desirable. It can also suit packaging and promotional materials that benefit from a bold, rounded, contemporary voice.

The overall tone is energetic and extroverted, with a fast, forward motion that reads as sporty and attention-grabbing. Its rounded, inflated shapes add friendliness while the mass and slant keep it assertive and poster-like. The result feels suited to bold, modern display messaging with a subtle retro flair.

Likely designed to deliver maximum visual presence with a built-in sense of speed and momentum, while keeping forms approachable through rounded geometry. The emphasis appears to be on confident display readability and a distinctive, high-energy texture in short phrases.

Spacing appears tight and the letterforms are intentionally compact in their internal openings, which increases visual density at larger sizes. Curved characters (such as O/C/S) emphasize a soft, elliptical geometry, while diagonals and horizontals keep a consistent, blocky rhythm across lines.

120px
108px
96px
84px
72px
64px
56px
48px
44px
40px
36px
32px
30px
28px
26px
24px
22px
20px
19px
18px
17px
16px
15px
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13px
12px
11px
10px
9px
8px
Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸