Sans Superellipse Gigor 10 is a very bold, normal width, monoline, upright, normal x-height font visually similar to 'Plasma' by Corradine Fonts, 'Environ' by MADType, and 'Acorna' and 'Caviara' by Umka Type (names referenced only for comparison).
Keywords: headlines, posters, logos, packaging, signage, retro, friendly, playful, punchy, techy, display impact, brand voice, retro modernity, geometric consistency, high visibility, rounded, blocky, geometric, soft corners, compact.
A heavy, geometric sans with rounded-rectangle construction and softly radiused corners throughout. Strokes are consistently thick with minimal modulation, producing dense, high-contrast silhouettes against the page. Counters are compact and often squared-off, with small apertures that emphasize a sturdy, poster-like texture. Curves resolve into superellipse-like bowls and shoulders, while horizontals and terminals tend to finish flat, keeping the rhythm tight and strongly structured.
Best suited for large-scale uses such as headlines, posters, brand marks, packaging, and short signage where its compact counters and heavy weight can read cleanly. It also works well for bold UI labels, game titles, and product names that benefit from a rounded, geometric, high-impact voice.
The overall tone is bold and approachable, mixing a utilitarian, industrial solidity with a playful softness from the rounded corners. It reads as retro-futuristic and game/arcade adjacent—confident, upbeat, and attention-grabbing rather than delicate or literary.
Likely designed to deliver maximum impact with a clean geometric system: a sturdy, modern sans built from rounded rectangles that stays friendly while remaining highly assertive. The emphasis appears to be on display clarity, strong rhythm, and a distinctive superellipse silhouette that remains recognizable at a glance.
In continuous text the dark color and tight internal spaces create a strong, uniform “ink mass,” making the design most effective when given breathing room. Distinctive rounded-square forms are especially apparent in letters like O/Q and in the squarish bowls of B/P/R, reinforcing the geometric theme.