Sans Normal Bugar 10 is a regular weight, normal width, medium contrast, upright, normal x-height font visually similar to 'Fann Grotesque' and 'Fann Grotesque Variable' by Colophon Foundry, 'Fuller Sans DT' by DTP Types, 'Grotesco' by Latinotype, and 'Kommon Grotesk' by TypeK (names referenced only for comparison).
Keywords: ui text, body copy, editorial, signage, presentations, neutral, modern, clean, functional, friendly, clarity, versatility, modern utility, approachability, open apertures, rounded terminals, monoline feel, balanced proportions, clear numerals.
This is a clean sans with largely uniform stroke weight and gently rounded curve joins. Letterforms are built from broad circular and elliptical bowls with open counters, producing an even texture in both uppercase and lowercase. Terminals are mostly straight-cut with softened corners, and curves stay smooth without sharp geometric breaks. The lowercase shows a single-storey “a” and a single-storey “g” with a generous lower bowl, while the uppercase maintains simple, steady construction with consistent cap height and calm spacing. Numerals are straightforward and highly legible, with open shapes and minimal ornamentation.
It suits everyday reading contexts such as interface text, product UI, documentation, and general body copy, where consistent rhythm and clear counters support long-form legibility. The straightforward uppercase and clean numerals also make it a solid choice for signage, dashboards, and presentations.
The overall tone is contemporary and practical, aiming for clarity rather than personality-driven quirks. Its rounded curves and open forms add a mild friendliness, while the restrained details keep it neutral and workmanlike.
The design appears intended as a general-purpose sans focused on neutrality, clarity, and reliable performance in continuous text. Subtle rounding and open apertures suggest an effort to keep the voice approachable while remaining broadly applicable across digital and print settings.
Rhythm is steady across text, with counters that remain open at smaller sizes and proportions that avoid extremes. The font reads comfortably in mixed-case passages, with clear differentiation between similar shapes (such as I, l, and 1) achieved through simple, distinct silhouettes.