Sans Other Ipma 4 is a bold, wide, monoline, upright, tall x-height font.
Keywords: headlines, logos, posters, packaging, signage, techy, futuristic, industrial, clean, assertive, display impact, tech branding, geometric system, modernization, rounded corners, geometric, modular, closed apertures, square forms.
A geometric sans with squared-out curves and softly rounded corners, built from consistently heavy, monoline strokes. Counters tend toward rounded-rectangle shapes, and several letters use simplified, modular constructions that emphasize flat terminals and crisp inner angles. The overall silhouette is expansive and stable, with compact apertures in letters like C, S, and e, and a generally uniform stroke rhythm across caps, lowercase, and numerals. Details such as the single-storey a and g, the squared bowl/shoulder transitions, and the straight, engineered diagonals reinforce a constructed, display-oriented feel.
Best suited for headlines and short-form typography where its strong geometry and compact apertures can read as a stylistic choice. It can work well in logos, product branding, packaging, and signage, especially for technology, gaming, sports, or industrial themes. For longer passages, it will be most effective at larger sizes where the squared curves and tight openings remain clear.
The tone is contemporary and technical, leaning toward sci‑fi and industrial branding rather than neutral text typography. Its broad, high-impact shapes read as confident and slightly retro-futuristic, suggesting interfaces, machinery, or sport-tech aesthetics. The consistent stroke weight and boxy curvature give it a purposeful, engineered personality.
The design appears intended to deliver a robust, modern sans with a distinctive squared-round geometry—prioritizing impact, consistency, and a constructed visual system over traditional grotesque or humanist nuance. Its simplified forms and uniform stroke logic suggest a focus on branding and display applications where a futuristic, engineered voice is desirable.
The alphabet shows a deliberate mix of round and square logic: circular letters are “squared” into rounded rectangles, while diagonals (A, K, V, W, X, Y) stay sharp and structural. Numerals follow the same modular approach, with clean, horizontal cuts and rounded interior corners that keep the set visually coherent.