Sans Superellipse Gikor 7 is a very bold, normal width, monoline, upright, normal x-height font visually similar to 'Racon' by Ahmet Altun, 'Cybersport' by Anton Kokoshka, 'Military Jr34' by Casloop Studio, 'Bike Tag JNL' and 'Celluloid JNL' by Jeff Levine, 'Azbuka' by Monotype, and 'Revx Neue' by OneSevenPointFive (names referenced only for comparison).
Keywords: headlines, posters, branding, packaging, signage, confident, industrial, friendly, retro, impactful, visual impact, approachable boldness, geometric consistency, signage clarity, rounded corners, blocky, compact, geometric, high contrast negative.
A heavy, geometric sans with broad, squared proportions softened by generous corner rounding. Strokes maintain a consistent thickness throughout, producing a compact, poster-like color on the page. Counters tend toward rounded-rectangle shapes, and curves are built from superelliptic arcs rather than true circles, giving O/C/G and related forms a sturdy, machined feel. Terminals are flat and clean, joins are crisp, and overall spacing reads tight and efficient, prioritizing solidity over airiness.
Best suited to short, high-impact text such as headlines, posters, logos, and packaging where dense, dark typographic color is an advantage. It can also work for signage and UI callouts at larger sizes, especially when you want a rounded, industrial feel with strong presence.
The tone is bold and no-nonsense, with an approachable softness from the rounded corners. It balances an industrial, utilitarian presence with a slightly retro, sign-painting/athletic headline energy, making it feel confident and direct without becoming sharp or aggressive.
Likely drawn to deliver maximum visual impact with a softened, contemporary geometry—combining blocky, squared structures with rounded corners for approachability. The consistent stroke weight and compact counters suggest a focus on bold display readability and a cohesive, system-like rhythm across letters and numerals.
The design relies on strong interior shapes: counters and apertures are relatively small for the weight, and characters like Q and G use simple, clear cut-ins that emphasize the squared-round construction. Numerals share the same compact, sturdy rhythm and read as display-oriented, with forms that stay consistent in width and corner treatment across the set.