Slab Square Subun 10 is a bold, wide, low contrast, italic, normal x-height font visually similar to 'FS Silas Slab' by Fontsmith, 'Foro Rounded' by Hoftype, 'Prelo Slab Pro' by Monotype, 'Metronic Slab Pro' by Mostardesign, 'Tabac Slab' by Suitcase Type Foundry, 'LFT Etica Sheriff' by TypeTogether, and 'Haboro Slab' by insigne (names referenced only for comparison).
Keywords: headlines, posters, branding, sportswear, packaging, assertive, sporty, retro, editorial, industrial, impact, emphasis, speed, heritage, utility, blocky, bracketed, heavy, compact, athletic.
A heavy, right-leaning slab serif with broad proportions and a compact, sturdy silhouette. Strokes are largely uniform with minimal modulation, and the serifs read as thick, squared slabs with subtle bracketing that helps keep joins from feeling abrupt. Curves are full and rounded (notably in bowls and the numerals), while diagonals and joints stay crisp, giving the design a strong, planted rhythm. Counters are fairly open for the weight, and spacing feels built for impact rather than delicate text setting.
Best suited to headlines, subheads, and short statements where strong typographic presence is needed. It works well for branding systems that want a retro-industrial or sporty flavor, and for packaging or signage where robust letterforms hold up at distance. For body copy, it will be most effective in larger text sizes and in tightly edited settings.
The overall tone is confident and energetic, with a distinctly vintage, poster-like voice. Its italic slant and chunky slabs suggest motion and emphasis, landing somewhere between classic editorial display and athletic branding. The texture feels bold and straightforward, projecting reliability and punch.
The design appears intended to deliver a bold, attention-grabbing slab serif voice with an italicized sense of speed. By combining broad proportions, sturdy slabs, and low-modulation strokes, it aims for high-impact display typography that remains legible and consistent across letters and numerals.
The glyphs show consistent, squared terminal logic across capitals, lowercase, and numerals, producing a cohesive, block-forward texture. The italics appear mechanically steady rather than calligraphic, reinforcing an engineered, signage-friendly feel at larger sizes.