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Sans Normal Laliy 2 is a very bold, normal width, low contrast, italic, normal x-height font visually similar to 'FF Mark' and 'FF Mark Paneuropean' by FontFont, 'Giriton' by Hazztype, 'Hurme Geometric Sans No. 3' by Hurme, 'Krong' by Joelmaker, 'Clarika Pro' by Wild Edge, and 'Coco Sharp' by Zetafonts (names referenced only for comparison).

Keywords: headlines, posters, branding, sportswear, packaging, sporty, retro, bold, dynamic, friendly, attention, motion, impact, approachability, modernity, slanted, rounded, soft corners, compact, high-impact.


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A heavy, slanted sans with rounded, slightly squarish curves and a compact, forward-leaning stance. Strokes are consistently thick with minimal modulation, and terminals are clean and blunt, giving counters a tight, ink-trap-free look. The forms favor broad arcs and simplified joins, producing sturdy silhouettes and strong word shapes; spacing reads even, though the mass makes interior counters feel small at text sizes. Numerals and capitals carry the same robust construction, with smooth curves and stable verticals that keep the rhythm consistent across lines.

Best suited to short, high-impact settings such as headlines, posters, brand marks, sports and event graphics, and packaging where bold, slanted letterforms can carry the design. It also works well for pull quotes, labels, and UI moments that need emphasis, while longer passages may feel dense due to the tight counters and heavy texture.

The overall tone is energetic and assertive, with a sporty, poster-forward presence. Its rounded construction keeps it approachable rather than aggressive, while the slant adds motion and a slightly retro advertising flavor. The result feels confident and playful—built to be noticed.

The design appears intended as a modern, attention-grabbing italic sans that balances strength with friendly rounding. Its simplified, sturdy shapes and consistent stroke weight suggest a focus on clear silhouettes and energetic display typography rather than quiet, extended reading.

The italic angle is pronounced enough to create momentum in headlines, and the boldness produces strong figure/ground contrast on light backgrounds. Round letters (like O/C/G) are full and smooth, while diagonals (like V/W/X) read punchy and compact, reinforcing a tight, impactful texture.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸