Sans Superellipse Hodol 17 is a very bold, normal width, low contrast, upright, normal x-height font visually similar to 'Dic Sans' by CAST, 'Brignell Square' by IB TYPE Inc., 'Calton' by LetterMaker, and 'Acto' by Monotype (names referenced only for comparison).
Keywords: headlines, posters, branding, packaging, logos, friendly, punchy, modern, playful, sturdy, high impact, approachability, modern branding, display emphasis, rounded, soft corners, compact, blocky, geometric.
A heavy, rounded sans with broad, superelliptical curves and softened corners throughout. Strokes are consistently thick with minimal modulation, producing dense, compact letterforms and strong color on the page. Counters tend toward rounded-rectangular shapes (notably in O, D, P, and 8), while joins and terminals favor blunt, gently curved finishes. The overall rhythm is tight and stable, with wide bowls and short apertures that keep forms bold and cohesive at display sizes.
Best suited for headlines, titles, packaging, and brand marks where a bold, friendly presence is needed. It can also work for short UI labels or signage when strong emphasis is desired, but its dense forms and tight apertures make it less ideal for extended body text at small sizes.
The font communicates an approachable, upbeat confidence—bold and attention-grabbing without feeling aggressive. Its rounded geometry reads friendly and contemporary, suggesting a playful, product-forward tone suited to energetic branding and modern interfaces.
The design appears intended to deliver maximum impact with a soft, approachable feel—combining thick, even strokes with rounded-rectangular geometry to create a modern, highly legible display voice.
Uppercase shapes feel solid and poster-like, while lowercase maintains the same chunky geometry with single-story a and g, reinforcing an informal, contemporary voice. Numerals are equally weighty and rounded, designed to hold presence alongside capitals. The heavy build reduces fine detail, favoring clarity through simplified silhouettes rather than open apertures.