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Sans Superellipse Ibdah 4 is a very bold, normal width, low contrast, upright, tall x-height font visually similar to 'Neuron' and 'Neuron Angled' by Corradine Fonts, 'FF Clan' by FontFont, 'CamingoDos SemiCondensed' by Jan Fromm, 'Allotrope' by Kostic, 'Klint' by Linotype, and 'Obvia Narrow' by Typefolio (names referenced only for comparison).

Keywords: headlines, posters, branding, packaging, social ads, friendly, confident, playful, modern, punchy, approachability, impact, clarity, brand voice, rounded, soft corners, blocky, compact, heavy.


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A heavy, rounded sans with superellipse-like curves and softly squared corners throughout. Strokes are monoline and dense, with generous interior counters that keep forms open despite the weight. The overall geometry leans toward rounded rectangles rather than true circles, and terminals are blunt and smooth, giving letters a compact, poster-ready silhouette. Lowercase forms read sturdy and simplified, with a single-storey “a” and “g” and a square-ish dot on “i/j,” while numerals match the same wide, cushioned construction.

Best suited to display use where weight and shape can carry personality—headlines, posters, logotypes, packaging, and social or promotional graphics. It can also work for short UI or label text where a friendly, high-impact tone is desired, but the heavy forms make it less ideal for long reading at small sizes.

The font feels upbeat and approachable while still delivering strong impact. Its rounded, inflated shapes suggest friendliness and accessibility, but the mass and tight, confident construction give it a bold, attention-grabbing voice suited to contemporary branding.

The design appears intended to combine maximum visual impact with a soft, approachable texture by using rounded-rectangle construction and open counters. It prioritizes clarity and consistency in a bold, modern voice for branding and attention-forward typography.

Round letters like O/Q/C show a distinctly squarish bowl, reinforcing the superellipse theme. Diagonals (A, V, W, X, Y) are thick and stable with minimal taper, and joins are kept smooth to maintain an even, cohesive rhythm across all glyphs.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸