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Free for Commercial Use

Sans Superellipse Idgar 4 is a very bold, normal width, medium contrast, upright, tall x-height font visually similar to 'ATF Railroad Gothic' by ATF Collection, 'Molde' by Letritas, 'Halagar' by Letteralle, 'Reznik' by The Northern Block, and 'Breuer Headline' by TypeTrust (names referenced only for comparison).

Keywords: headlines, posters, sports branding, packaging, signage, assertive, sporty, industrial, friendly, compact, impact, clarity, modern utility, approachability, blocky, rounded, sturdy, punchy, high impact.


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A heavy, compact sans with rounded-rectangle geometry and softly curved corners throughout. Strokes are thick and fairly even, with minimal modulation and mostly straight-sided counters that read as squarish ovals. Terminals are clean and blunt, and joints are tight, giving the letterforms a dense, muscular silhouette. The lowercase maintains a large presence with short extenders, and the overall rhythm feels tightly set and space-efficient, producing strong word shapes at display sizes.

Best suited for headlines and short statements where dense, high-impact forms are an advantage. Works well for sports and team branding, promotional posters, bold packaging systems, and attention-forward signage. The rounded construction helps it remain readable and friendly in large sizes while still delivering strong presence.

The tone is bold and direct, with a sporty, no-nonsense energy. Rounded corners soften the mass, keeping it approachable rather than harsh, while the dense forms project strength and immediacy. It suggests modern utility and high-impact messaging—confident, upbeat, and slightly industrial.

Likely designed to maximize visual impact with compact, sturdy letterforms and rounded-rectangle shapes that keep the tone contemporary and approachable. The emphasis appears to be on bold clarity and tight, efficient word shapes for display typography.

Round letters like O/C/G lean toward rounded-rectangle constructions, and curves generally resolve into flat-ish verticals and horizontals, reinforcing a squared, engineered feel. Numerals are similarly blocky and legible, designed to hold their shape under heavy weight. Spacing appears balanced for headlines, where the compact forms create cohesive, dark typographic color.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸