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Free for Commercial Use

Sans Superellipse Ibmaf 6 is a very bold, normal width, low contrast, upright, normal x-height font visually similar to 'Cantiga' by Isaco Type, 'CamingoDos Condensed' by Jan Fromm, 'Akwe Pro' by ROHH, 'Core Sans N' and 'Core Sans NR' by S-Core, and 'Sans Beam' by Stawix (names referenced only for comparison).

Keywords: headlines, posters, branding, packaging, signage, assertive, friendly, retro, punchy, sporty, attention grabbing, brand voice, poster impact, approachability, clarity, blocky, rounded, compact, sturdy, high impact.


Free for commercial use
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A heavy, block-forward sans with broad, rounded-rectangle (superellipse-like) bowls and terminals. Strokes are uniform and dense, with large counters that stay open despite the weight, giving the forms a compact but readable silhouette. Uppercase shapes are wide and squared-off with softened corners, while lowercase shows similarly sturdy construction with simple, straight-sided stems and rounded joins. The numerals are bold and stable, matching the same rounded geometry and strong baseline presence.

Best suited to display applications where impact matters: headlines, posters, signage, and bold brand statements. Its rounded, sturdy shapes also fit packaging and labels, especially where an approachable but powerful tone is desired. In longer settings it creates a dense, high-ink texture, making it most effective at larger sizes with generous spacing.

The overall tone is loud and confident with a playful softness from the rounded corners. It reads as contemporary and approachable while also nodding to classic poster and sports-display lettering. The weight and simplified shapes create an energetic, no-nonsense voice that feels designed to grab attention quickly.

The typeface appears intended as a high-impact display sans that blends strict, blocky structure with softened corners for approachability. Its consistent rounded-rectangle geometry suggests a focus on strong visual branding and legibility at a glance rather than fine typographic nuance.

The design relies on consistent rounding and a tight, chunky rhythm that holds together well in large sizes. Letterforms favor clear, simple construction over delicacy, producing strong word shapes and a distinct, graphic texture in paragraphs and headlines.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸