Sans Normal Ofrem 15 is a very bold, narrow, low contrast, upright, normal x-height font visually similar to 'Graphicus DT' by DTP Types, 'Aspira' by Durotype, 'Futura Now' by Monotype, 'Futura Futuris' by ParaType, and 'Futura TS' by TypeShop Collection (names referenced only for comparison).
Keywords: headlines, posters, packaging, children’s, stickers, playful, poster, cartoon, friendly, chunky, attention, humor, warmth, informality, impact, rounded, soft corners, compact, heavy, bouncy baseline.
A heavy, compact sans with rounded, softly squared contours and a deliberately uneven, hand-cut rhythm. Strokes stay broadly consistent in thickness, with terminals that look blunted rather than sharp, giving counters a slightly pinched, organic feel. Curves are full and bulbous (notably in O, Q, and the numerals), while straight stems lean toward subtly irregular edges, creating a lively texture in words. Uppercase forms are robust and space-efficient; lowercase is similarly weighty with simple, single-storey shapes and a sturdy presence.
Works best for short, high-impact text where its chunky shapes and playful rhythm can carry the message—headlines, posters, packaging callouts, labels, and youth-oriented or whimsical branding. It can also support simple display settings like signage or social graphics where bold legibility at a distance matters more than typographic restraint.
The overall tone is bold and humorous, with a handmade, cut-paper energy that reads as approachable rather than formal. Its irregularity and chunky weight suggest fun, emphasis, and immediacy—suited to attention-grabbing, upbeat messaging.
Designed to deliver a friendly, comedic display voice through oversized weight, rounded geometry, and intentionally imperfect, hand-rendered proportions. The goal appears to be immediate visual punch with an informal, characterful texture.
The font’s personality comes through in its slightly wavering alignment and varied letter widths, which create an animated cadence across lines. Round letters remain strong and closed, while diagonals and joins (such as in K, R, and W) keep a simplified, blocky construction that reinforces the cartoon-like voice.