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Sans Other Olda 6 is a very bold, normal width, monoline, upright, normal x-height font visually similar to 'Stallman' and 'Stallman Round' by Par Défaut and 'SbB Powertrain' by Sketchbook B (names referenced only for comparison).

Keywords: headlines, posters, logotypes, game ui, sports branding, industrial, techno, arcade, military, futuristic, impact, modular system, display branding, tech aesthetic, signage, angular, chamfered, squared, compact, stencil-like.


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A heavy, squared sans with monoline strokes and sharply chamfered corners throughout. The design relies on orthogonal construction—straight verticals and horizontals with occasional 45° cuts—creating a blocky, geometric silhouette. Counters are typically rectangular and tightly fitted, and many joins are notched or stepped, reinforcing a modular, machined feel. Uppercase forms read as compact and dense, while lowercase echoes the same rigid geometry with simplified bowls and terminals; numerals follow the same squared, cut-corner logic for a consistent set.

Best suited to display roles where its blocky geometry can read cleanly: headlines, posters, packaging accents, and bold wordmarks. It also fits interface-style applications such as game menus, arcade-inspired graphics, and tech or industrial branding where a rugged, modular aesthetic is desired.

The overall tone is assertive and engineered, evoking industrial labeling, arcade UI, and sci‑fi or tactical graphics. Its angular cuts and tight counters give it a hard-edged, no-nonsense voice that feels mechanical and purposeful rather than friendly or calligraphic.

The font appears designed to translate a grid-based, engineered construction into a cohesive alphabet—prioritizing impact, sharp corner treatment, and a consistent system of squared counters and chamfers. Its forms aim to convey strength and precision, with distinctive cut-ins and notches that help differentiate letters while maintaining a unified, machine-made look.

Diagonal elements appear primarily as clipped corners and select letter joins, which keeps the rhythm crisp and grid-aligned. The bold massing and reduced internal space can make small sizes feel tight, while larger settings emphasize the distinctive chamfered profile and notched details.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸