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Free for Commercial Use

Sans Other Olda 6 is a very bold, normal width, monoline, upright, normal x-height font visually similar to 'Stallman' and 'Stallman Round' by Par Défaut and 'SbB Powertrain' by Sketchbook B (names referenced only for comparison).

Keywords: headlines, posters, logotypes, game ui, sports branding, industrial, techno, arcade, military, futuristic, impact, modular system, display branding, tech aesthetic, signage, angular, chamfered, squared, compact, stencil-like.


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A heavy, squared sans with monoline strokes and sharply chamfered corners throughout. The design relies on orthogonal construction—straight verticals and horizontals with occasional 45° cuts—creating a blocky, geometric silhouette. Counters are typically rectangular and tightly fitted, and many joins are notched or stepped, reinforcing a modular, machined feel. Uppercase forms read as compact and dense, while lowercase echoes the same rigid geometry with simplified bowls and terminals; numerals follow the same squared, cut-corner logic for a consistent set.

Best suited to display roles where its blocky geometry can read cleanly: headlines, posters, packaging accents, and bold wordmarks. It also fits interface-style applications such as game menus, arcade-inspired graphics, and tech or industrial branding where a rugged, modular aesthetic is desired.

The overall tone is assertive and engineered, evoking industrial labeling, arcade UI, and sci‑fi or tactical graphics. Its angular cuts and tight counters give it a hard-edged, no-nonsense voice that feels mechanical and purposeful rather than friendly or calligraphic.

The font appears designed to translate a grid-based, engineered construction into a cohesive alphabet—prioritizing impact, sharp corner treatment, and a consistent system of squared counters and chamfers. Its forms aim to convey strength and precision, with distinctive cut-ins and notches that help differentiate letters while maintaining a unified, machine-made look.

Diagonal elements appear primarily as clipped corners and select letter joins, which keeps the rhythm crisp and grid-aligned. The bold massing and reduced internal space can make small sizes feel tight, while larger settings emphasize the distinctive chamfered profile and notched details.

120px
108px
96px
84px
72px
64px
56px
48px
44px
40px
36px
32px
30px
28px
26px
24px
22px
20px
19px
18px
17px
16px
15px
14px
13px
12px
11px
10px
9px
8px
Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸