Sans Superellipse Idgip 6 is a very bold, normal width, low contrast, upright, tall x-height font visually similar to 'Akceler' by Adtypo, 'Brandan' by Andfonts, 'Calton' by LetterMaker, and 'Acto' by Monotype (names referenced only for comparison).
Keywords: headlines, posters, packaging, branding, signage, playful, bold, friendly, retro, punchy, impact, approachability, display clarity, retro flavor, rounded, chunky, blocky, soft corners, bouncy.
A heavy, rounded sans with superelliptical construction: bowls and counters read as softened rectangles, and curves transition with broad, smooth radii rather than sharp joins. Strokes stay consistently thick with minimal modulation, producing dense, compact shapes and sturdy verticals. The lowercase shows a tall x-height and short ascenders/descenders, keeping lines visually even and tightly packed, while terminals are generally flat or gently rounded. Counters are relatively small, and apertures are conservative, giving the face a solid, poster-like color at text sizes.
Best used for headlines, titles, packaging, and bold branding where impact and friendliness are desired. It also suits signage and short callouts that benefit from strong presence and rounded, approachable forms; extended paragraphs will feel visually dense unless set large with generous spacing.
The overall tone is friendly and energetic, with a toy-like softness that keeps the weight from feeling harsh. Its rounded geometry and compact rhythm suggest a retro display attitude—confident, approachable, and a bit humorous—well-suited to attention-grabbing messaging.
The design appears intended to deliver maximum visual punch with a soft, rounded voice—combining thick, uniform strokes with superelliptical curves to create a modern-retro display sans that stays legible while feeling playful and substantial.
The numerals are wide and emphatic, matching the bulky texture of the letters; curves stay squared-off and superelliptical rather than purely circular. In the sample text, the dense weight and small counters make long passages feel heavy, but the consistent geometry keeps word shapes stable and readable at larger sizes.