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Blackletter Dowy 2 is a bold, narrow, low contrast, italic, normal x-height font.

Keywords: headlines, posters, album covers, packaging, logos, medieval, gothic, dramatic, aggressive, ceremonial, historic flavor, high impact, dark texture, handcrafted feel, display emphasis, angular, faceted, broken strokes, chiseled, calligraphic.


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A sharply faceted, blackletter-inspired design with broken strokes and crisp, wedge-like terminals. The letterforms lean forward with a consistent oblique axis, and the strokes maintain a largely even thickness with abrupt internal cuts that create a rhythmic, segmented texture. Counters are tight and often triangular, while verticals dominate the structure, producing compact silhouettes and strong word-shape contrast. Numerals and capitals share the same chiseled construction, with pointed joins and hard corners that keep the texture dark and dense.

Best suited for display typography such as headlines, posters, brand marks, and short phrases where its angular texture can be appreciated. It works well for album art, event flyers, game or fantasy-themed packaging, and editorial pull quotes that need a historic or gothic edge. Longer paragraphs are more effective when set large with generous tracking and leading.

The font conveys a medieval, ceremonial tone with a hard-edged, confrontational energy. Its angular construction and forward slant add urgency and motion, while the dense black texture feels authoritative and traditional. Overall it reads as gothic and dramatic, suited to designs that want historical weight with a sharpened, modern bite.

The design appears intended to evoke traditional blackletter lettering through a simplified, chiseled construction and a consistent forward slant. Its emphasis on sharp terminals, broken strokes, and dense texture suggests a focus on impact and atmosphere over neutral readability, aiming for unmistakable character in display settings.

In running text the broken-stroke pattern creates a strong stripe-like rhythm, which can reduce clarity at smaller sizes but becomes highly distinctive at display sizes. The lowercase maintains a consistent, structured cadence, while capitals introduce more pronounced notches and asymmetries that emphasize a handcrafted, cut-from-metal feel.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸