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Free for Commercial Use

Sans Normal Osdes 3 is a very bold, normal width, low contrast, upright, normal x-height font visually similar to 'Orgon' and 'Orgon Plan' by Hoftype, 'Akwe Pro' by ROHH, 'NuOrder' by The Northern Block, and 'Olivine' by URW Type Foundry (names referenced only for comparison).

Keywords: headlines, posters, branding, logotypes, packaging, bold, friendly, modern, playful, confident, high impact, approachability, modern branding, display clarity, rounded, geometric, soft corners, blocky.


Free for commercial use
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This typeface is a heavy, rounded sans with broad, compact letterforms and smooth, continuous curves. Strokes are uniformly thick with minimal modulation, and terminals are largely blunt or softly rounded, giving shapes a molded, solid feel. Counters are tight in many letters (notably in B, e, g, and 8), while round characters like O and 0 read as sturdy, near-circular forms. The lowercase shows simple, geometric construction with a single-storey a and g, a short-armed t, and a compact, high-density rhythm that keeps words feeling weighty and cohesive.

Best suited for display applications where impact and legibility at size are priorities—headlines, posters, packaging, and brand touchpoints such as logos and wordmarks. It can also work for short callouts, signage, and UI highlights where a friendly, assertive tone is desired.

The overall tone is bold and approachable, balancing a utilitarian sans structure with a friendly, slightly playful softness. Its mass and rounded geometry project confidence and immediacy, making text feel energetic and attention-grabbing without turning aggressive.

The design appears intended to deliver maximum presence with a clean, geometric sans foundation, using rounded forms and tight counters to create a bold, contemporary voice. Its consistent stroke weight and compact rhythm suggest a focus on strong texture and immediate recognition in display settings.

The design favors strong silhouette clarity and consistent texture, especially in larger sizes. Diagonals (A, V, W, X, Y, Z) are wide and stable, while punctuation and numerals maintain the same chunky, unified presence, supporting a cohesive typographic voice across headlines and short blocks of copy.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸