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Free for Commercial Use

Sans Superellipse Fylib 13 is a very bold, normal width, low contrast, italic, tall x-height font visually similar to 'Cybersport' by Anton Kokoshka, 'Celluloid JNL' and 'Lobby Card JNL' by Jeff Levine, 'Karnchang' by Jipatype, 'Caverson' by Letterena Studios, 'Fixture' by Sudtipos, and 'Kimberley' and 'Refuel' by Typodermic (names referenced only for comparison).

Keywords: sports branding, headlines, posters, logos, apparel, sporty, assertive, modern, dynamic, compact, impact, speed, strength, modernity, branding, rounded, blocky, slanted, geometric, chunky.


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A heavy, slanted sans with rounded-rectangle construction and strongly simplified geometry. Strokes are thick and uniform with soft corners and squarish counters, producing compact, dark silhouettes. The design emphasizes forward motion through a consistent rightward slant, tight apertures, and sturdy horizontals, while maintaining clean, controlled curves in letters like C, G, O, and S. Numerals and lowercase follow the same chunky, superelliptical logic, yielding an even, high-impact rhythm in both display and short text settings.

Well suited to sports branding, team graphics, automotive or tech-themed headlines, posters, and bold logo work where an energetic, forward-leaning voice is desired. It can also work for short UI labels or packaging callouts when set with generous tracking and line spacing to keep counters from clogging.

The font projects speed and intensity with a confident, performance-oriented tone. Its compressed, muscular forms and consistent slant suggest action, competition, and modern industrial energy rather than delicacy or warmth.

Likely designed to deliver maximum visual punch with a streamlined, aerodynamic sans structure. The rounded-rectangular forms and uniform weight aim for strong legibility at large sizes while emphasizing motion and toughness through the consistent slant and compact internal spacing.

Round joins and softened terminals help prevent the weight from feeling harsh, but the tight inner spaces and dense color mean it performs best when given ample size and breathing room. The shapes stay highly consistent across uppercase, lowercase, and figures, reinforcing a cohesive, engineered look.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸