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Free for Commercial Use

Sans Superellipse Gadit 4 is a very bold, normal width, low contrast, italic, normal x-height font visually similar to 'BF Konkret Grotesk Pro' by BrassFonts, 'Ciutadella Display' by Emtype Foundry, 'Futo Sans' by HB Font, 'HD Colton' by HyperDeluxe, 'Nusara' by Locomotype, and 'Heading Now' by Zetafonts (names referenced only for comparison).

Keywords: headlines, sports branding, posters, packaging, app headers, sporty, assertive, energetic, modern, compact, impact, speed, modernity, approachability, branding, rounded, slanted, chunky, smooth, sturdy.


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A heavy, slanted sans with broad, rounded-rectangle construction and consistently softened corners. Strokes are thick and even, with compact internal counters and generous, stable verticals that keep forms readable despite the weight. Curves tend toward superelliptical shapes rather than perfect circles, giving bowls and terminals a smooth, engineered feel. The lowercase shows single-storey forms where applicable, with tight apertures and a dense overall texture suited to impactful settings.

It performs best in short, high-impact lines such as headlines, sports and fitness identities, posters, and promotional graphics. The dense, rounded shapes also suit packaging, product wordmarks, and bold UI headings where a confident, modern tone is desired. For longer text, it will be most comfortable at larger sizes where counters and apertures stay open enough.

The tone is bold and forward-leaning, with a fast, competitive energy. Its rounded geometry keeps it friendly and contemporary, while the mass and slant add urgency and emphasis. Overall it reads like a display face built for momentum and punch rather than quiet neutrality.

The design appears intended to deliver maximum visual punch with a streamlined, rounded industrial geometry. By combining substantial weight with a consistent slant and softened corners, it aims to feel fast, modern, and approachable while remaining clearly legible in display contexts.

Digit forms are sturdy and highly filled-in, matching the compact counter strategy seen in letters. The italic angle is consistent across cases, producing a cohesive rhythm in words and strong headline presence. Spacing in the samples suggests it is intended to lock up tightly without losing silhouette clarity.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸