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Free for Commercial Use

Sans Superellipse Yiju 5 is a very bold, very wide, medium contrast, upright, normal x-height font visually similar to 'Mega' by Blaze Type, 'OL London' by Dennis Ortiz-Lopez, 'Muller Next' by Fontfabric, 'Arlen' by Groteskly Yours, and 'Bagor' by Trustha (names referenced only for comparison).

Keywords: headlines, posters, logos, packaging, signage, playful, chunky, retro, friendly, punchy, impact, approachability, display branding, retro flavor, blunt, rounded, bulky, soft-cornered, geometric.


Free for commercial use
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A heavy, wide sans with rounded-rectangle construction and soft corners throughout. Strokes are thick and compact, with generous interior counters punched out as small oval/rectangular apertures that keep the shapes sturdy at display sizes. Curves are squarish rather than circular, and terminals tend to be blunt, creating a blocky silhouette with a smooth, superelliptic feel. Spacing appears intentionally open for such dense forms, helping letters remain separable despite the mass. Numerals match the same chunky, rounded geometry and sit solidly on the baseline.

Best suited for large-scale applications where impact and character matter most—headlines, posters, branding, packaging, and bold signage. It can also work for short UI labels or badges when used sparingly, but the dense shapes and small counters favor larger sizes over extended text.

The overall tone is bold and jovial, with a retro, poster-like presence. Its softened corners and squashed curves make it feel approachable rather than aggressive, while the extreme weight and width give it an attention-grabbing, headline-first attitude.

The design appears aimed at delivering maximum visual weight with a friendly, rounded-rect geometry—combining strong block forms with softened corners to create a distinctive, retro-leaning display voice that remains readable and cohesive across letters and figures.

Many characters show subtle asymmetries and sculpted joins that add personality (notably in diagonal letters and the s-like forms), avoiding a purely mechanical geometric look. The dot on i/j and small counters can visually close up at very small sizes, reinforcing its display orientation.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸