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Free for Commercial Use

Sans Other Obgo 4 is a very bold, normal width, low contrast, upright, normal x-height font visually similar to 'Morgan Poster' by Feliciano, 'Heavy Duty' by Gerald Gallo, 'Manufaktur' by Great Scott, 'Stallman Round' by Par Défaut, 'Block' by Stefan Stoychev, and 'Huberica' by The Native Saint Club (names referenced only for comparison).

Keywords: headlines, posters, logos, sports, game ui, industrial, techno, stencil-like, retro, assertive, impact, modular feel, tech aesthetic, signage, geometric, blocky, square, angular, compact.


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A dense, block-constructed sans with squared proportions and strongly rectilinear outlines. Strokes are heavy and uniform, with crisp right angles and occasional chamfered corners that keep counters from feeling too tight. Apertures and counters are generally small and boxy, giving the letters a compact, poster-like rhythm. Several forms show deliberate cut-ins and stepped joins (notably in diagonals and terminals), creating a constructed, almost modular feel across the set.

Best suited for high-impact headlines, posters, packaging, and logo wordmarks where a strong, constructed voice is desirable. It also fits game UI, event graphics, and on-screen titles that benefit from an angular, techno-industrial texture, performing most confidently at medium to large sizes.

The overall tone is forceful and mechanical, with a distinctly industrial and techno flavor. Its sharp geometry and compact counters project a utilitarian, engineered mood that can read as retro-futurist or arcade-inspired depending on context.

The font appears designed to deliver maximum visual punch through a geometric, modular construction, prioritizing bold silhouette recognition over delicate detail. Its squared counters and engineered cut-ins suggest an intention to evoke industrial signage and techno display typography in a compact, highly assertive style.

The design maintains a consistent cap-and-baseline presence with minimal curvature, relying on squared counters for differentiation. In text, the heavy color and tight internal space make it read best when given ample tracking and generous line spacing, especially at smaller sizes.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸