Sans Superellipse Ibmip 3 is a very bold, normal width, low contrast, upright, normal x-height font visually similar to 'Ramsey' by Associated Typographics, 'Neuron Angled' by Corradine Fonts, 'Volcano' by Match & Kerosene, 'Amboy' by Parkinson, 'Beachwood' by Swell Type, 'Reznik' by The Northern Block, 'Great Escape' by Typodermic, and 'Winner Sans' by sportsfonts (names referenced only for comparison).
Keywords: headlines, posters, branding, sportswear, packaging, sporty, industrial, techy, assertive, compact, impact, solidity, modernity, efficiency, uniformity, squared, rounded corners, blocky, stencil-like, modular.
A heavy, block-built sans with squared, superellipse-like bowls and consistently rounded corners. Strokes are uniform and monolinear, with a compact, efficiency-driven rhythm and tightly controlled counters. Many joins and terminals are cut with blunt, rectangular endings, and several letters use squared apertures and notch-like cut-ins that give the set a slightly stencil-like, engineered feel. Numerals match the same boxy geometry, producing a cohesive, high-impact texture in text.
Best suited to short, high-impact settings such as headlines, posters, branding marks, and packaging where strong silhouettes matter. It also fits sports and equipment messaging, UI labels, and signage that benefits from compact, blocky forms and clear differentiation at larger sizes.
The overall tone is bold and no-nonsense, leaning sporty and industrial with a contemporary, tech-forward edge. Its squared curves and compact spacing project strength and practicality rather than warmth or elegance, making it feel at home in performance and equipment-oriented contexts.
The design appears intended to deliver maximum visual punch with a modular, rounded-rectangle geometry that stays highly consistent across letters and numerals. It favors robust shapes, tight counters, and blunt terminals to create a contemporary display voice that remains legible while feeling engineered and purposeful.
Round letters such as O/C/G/Q read as rounded rectangles, while diagonals (e.g., A, K, V, W, X) are simplified and sturdy, prioritizing solidity over finesse. The lowercase keeps a straightforward, single-storey construction and maintains the same modular logic as the capitals, helping mixed-case settings stay punchy and consistent.