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Free for Commercial Use

Sans Normal Kanok 15 is a bold, wide, low contrast, italic, normal x-height font visually similar to 'Myriad' by Adobe, 'FF Kievit' by FontFont, 'Clear Sans Screen' and 'Clear Sans Text' by Positype, and 'Core Sans B' and 'Core Sans BR' by S-Core (names referenced only for comparison).

Keywords: headlines, posters, sports branding, packaging, logos, sporty, energetic, friendly, modern, bold, impact, momentum, approachability, display clarity, brand voice, oblique, soft corners, rounded, compact, clean.


Free for commercial use
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A heavy, oblique sans with broad proportions and rounded, open forms. Strokes are largely monolinear with gentle curvature at joins and terminals, giving counters a smooth, slightly condensed-oval feel even at bold weight. The design keeps a steady rhythm across uppercase and lowercase, with a moderate x-height and sturdy, compact descenders. Numerals and punctuation follow the same robust, rounded construction, reading clearly at display sizes while retaining a consistent forward slant.

Best used for bold, high-impact settings such as headlines, posters, promotional graphics, and sports-leaning branding. The strong weight and forward slant help it stand out on packaging and signage, and it can work for simple logo wordmarks where a modern, energetic voice is needed. For longer passages, it will be most effective at larger sizes where the dense texture can breathe.

The overall tone is energetic and confident, with a sporty, contemporary flavor driven by the forward slant and thick, clean strokes. Rounded shapes soften the weight, keeping it approachable rather than aggressive, and the wide stance adds a sense of momentum and presence. It feels well-suited to bold messaging that aims to be friendly and modern.

The design appears intended to deliver a modern, high-visibility oblique sans that combines strong presence with rounded, friendly construction. Its emphasis on consistent slant, broad proportions, and smooth counters suggests a focus on punchy display typography that remains approachable and easy to read at a glance.

The oblique angle is consistent across the set, and the heavy weight creates strong word-shapes in the sample text. Round letters stay open and legible, while diagonals and curves keep a smooth, unified motion. The texture is dense but even, which helps short headlines look solid and intentional.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸