Hollow Other Abso 6 is a very bold, normal width, very high contrast, upright, normal x-height font visually similar to 'Mikado' by HVD Fonts, 'Linotte' by JCFonts, 'Corkboard JNL' by Jeff Levine, 'Sebino Soft' by Nine Font, 'Core Sans AR' by S-Core, 'Mister London' by Sarid Ezra, and 'Aquawax Fx' by Zetafonts (names referenced only for comparison).
Keywords: headlines, posters, packaging, kids branding, logos, playful, bubbly, cartoon, chewy, retro, whimsy, texture, impact, character, rounded, blobby, soft corners, knockout fills, irregular inktraps.
A heavy, rounded display face built from chunky, balloon-like forms with soft terminals and broadly curved joins. The outlines feel hand-shaped rather than geometric, with subtly uneven contours that add a lively, organic rhythm. Interior counters and small knockout shapes appear as glossy, droplet-like cut-ins and pinholes, creating a hollowed/bitten texture across many glyphs. Proportions are compact and friendly, with simple, single-story lowercase forms and sturdy numerals that read as thick silhouettes punctuated by small internal openings.
Best suited to headlines, posters, packaging, and brand marks where a soft, humorous voice is desired. It can work well for event graphics, snack or candy-themed concepts, and children’s or playful entertainment collateral, especially at medium-to-large sizes where the internal cutouts remain clear.
The overall tone is upbeat and whimsical, evoking comic signage, toys, and confectionery branding. The little cutouts read like shine marks or playful nibbles, giving the letters a mischievous, kid-friendly energy while keeping a strong, punchy presence.
Likely designed to deliver a bold, friendly display look with a distinctive hollow/knockout texture that suggests shine, bubbles, or bitten forms. The intent appears to be maximum personality and immediate impact rather than neutral readability for text settings.
Spacing and letterforms favor bold silhouettes over fine detail; the small internal knockouts become the defining motif and will read best when given enough size and contrast. The lively irregularities add character but also make the texture more noticeable in long passages.