Slab Square Guho 3 is a very bold, wide, monoline, upright, normal x-height font visually similar to 'Publica Slab' by FaceType, 'ITC Lubalin Graph' by ITC, 'Weekly' by Los Andes, and 'Museo Slab' and 'Museo Slab Rounded' by exljbris (names referenced only for comparison).
Keywords: headlines, posters, branding, packaging, signage, bold, retro, rugged, industrial, collegiate, impact, display, clarity, sturdiness, nostalgia, blocky, chunky, compact counters, dense texture, high impact.
This is a heavy, blocky slab-serif design with substantial, rectangular serifs and compact counters that create strong ink traps and dark texture. Strokes are largely even in weight, with squared terminals and broad, sturdy joins that emphasize a solid, poster-ready silhouette. The letterforms lean toward geometric simplicity, with rounded bowls kept tight and squared details at corners and feet, producing a dense, high-contrast massing at text sizes.
Best suited for display typography such as posters, headlines, sports or team-style branding, packaging, and storefront or wayfinding-style signage. It can also work for short, emphatic subheads, badges, and pull quotes where a dense, authoritative texture is desirable. For longer passages, it reads most comfortably at larger sizes with generous spacing to prevent the dark color from feeling crowded.
The font projects a confident, punchy tone with a touch of retro Americana. Its heavy, squared-off presence feels practical and straightforward, like signage and print ephemera meant to be read fast and remembered. Overall it comes across as friendly but assertive rather than delicate or refined.
The design appears intended to deliver maximum visual weight and immediate legibility in short phrases and headlines. Its slab construction and squared finishing suggest a goal of durability and print-like authority, evoking classic poster and sign lettering. The consistent, sturdy rhythm prioritizes presence and recognizability over finesse.
The numerals match the letters in weight and footprint, reinforcing a uniform, sign-painter-like solidity. The overall color on the page is very dark and consistent, with squared serifs and terminals doing most of the stylistic work rather than pronounced stroke modulation.