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Free for Commercial Use

Sans Normal Bynok 2 is a regular weight, wide, low contrast, upright, normal x-height font visually similar to 'Graphie' by Dharma Type and 'Mathelo' by Maulana Creative (names referenced only for comparison).

Keywords: ui text, web design, editorial, branding, signage, modern, clean, neutral, friendly, minimal, everyday legibility, neutral branding, systematic design, screen readability, open apertures, rounded terminals, geometric, even rhythm, generous spacing.


Free for commercial use
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This typeface is a clear, modern sans with smooth, rounded curve construction and an even, consistent stroke weight. Letterforms lean toward geometric proportions, with broad circular bowls (notably in C, O, and e) and simple, unembellished joins. Terminals are mostly straight or softly rounded, counters are open, and spacing feels generous, producing an airy texture in both uppercase and lowercase. Numerals are similarly plain and readable, with rounded forms and straightforward strokes that match the overall restraint of the design.

It works well for interface and product text where clarity and neutral tone are priorities, and it holds up nicely in web and editorial settings thanks to its open counters and even color. The clean geometry also makes it a solid choice for contemporary branding systems and straightforward signage, especially where a friendly but non-decorative sans is needed.

The overall tone is neutral and contemporary, with a calm, approachable feel. Its smooth curves and open shapes create a friendly impression while maintaining a professional, understated voice suited to everyday communication.

The design appears intended as a versatile, general-purpose sans that prioritizes legibility and visual calm. By combining geometric roundness with restrained details and consistent stroke behavior, it aims to be adaptable across headings and continuous text without calling attention to itself.

Uppercase forms read crisp and stable, while the lowercase maintains a simple, utilitarian structure with single-storey forms where expected (such as a and g), reinforcing the geometric, modern character. The punctuation and symbols shown (e.g., ampersand, apostrophe) appear understated and consistent in weight, helping paragraphs keep a steady rhythm.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸