Sans Superellipse Onbuv 8 is a bold, normal width, monoline, upright, normal x-height, monospaced font visually similar to 'Chamelton' by Alex Khoroshok and 'Mono Spec' by Halbfett (names referenced only for comparison).
Keywords: ui labels, code samples, terminals, dashboards, posters, techy, industrial, utilitarian, retro, systematic, clarity, grid consistency, device aesthetic, labeling, rounded corners, squared curves, boxy, compact, high contrast-free.
A compact sans with a squared, rounded-rectangle construction: curves resolve into soft corners and flat terminals, giving letters a superellipse-like geometry. Strokes stay uniform, with sturdy verticals and simplified joins that keep counters clean and open. Proportions are tight and efficient, with a steady rhythm and consistent widths that emphasize an engineered, grid-first feel. Numerals and punctuation follow the same blunt, rounded-square logic, maintaining a cohesive, workmanlike texture in lines of text.
Works well where alignment and even color are important—UI labels, dashboards, settings screens, and terminal-like layouts. The strong, compact shapes also suit headings, posters, and packaging or equipment-style labeling where a crisp, technical impression is desired.
The overall tone is pragmatic and technical, reminiscent of terminal or instrument labeling while still feeling contemporary. Its rounded-square forms soften the severity of a rigid grid, creating a friendly-but-functional voice suited to interfaces and hardware-adjacent branding.
Designed to deliver a sturdy, grid-consistent sans that reads clearly in structured layouts while projecting a modern, device-oriented character. The rounded-square geometry suggests an intention to blend technical precision with approachable softness.
Round letters (like O and Q) read as squarish ovals with generous inner space, and diagonals (such as V, W, X, and Y) appear deliberately simplified to fit the font’s rectilinear logic. The lowercase keeps a straightforward, almost schematic presence, reinforcing the font’s consistent, modular personality.