Serif Contrasted Ufra 7 is a regular weight, normal width, very high contrast, upright, normal x-height font.
Keywords: headlines, fashion, magazines, luxury branding, posters, luxury, editorial, dramatic, refined, elegance, impact, modern classic, editorial tone, brand prestige, hairline serifs, vertical stress, crisp terminals, sculptural curves, display-centric.
A high-contrast serif with pronounced thick–thin modulation, vertical stress, and extremely fine hairline serifs. The letterforms balance sharp, crisp edges with sculptural curves: round characters (O, C, G) show elegant swelling and tapered transitions, while vertical stems read dark and steady. Serifs are delicate and mostly unbracketed, giving a clean, modern finish, and the overall proportions feel slightly condensed in some glyphs with noticeable width variation across the set. Numerals follow the same contrast logic, with bold main strokes and thin connecting hairlines that emphasize sparkle at larger sizes.
Best suited to headlines, cover lines, and large-size editorial typography where the contrast can read clearly and the hairlines can sparkle. It also fits luxury branding and premium packaging, where a refined, high-contrast serif can signal elegance and exclusivity. For longer passages, it works most convincingly in display-like text sizes with comfortable leading.
The overall tone is polished and high-end, with a runway/editorial sensibility. Its dramatic contrast and razor-thin details create a sense of sophistication and tension—cool, stylish, and attention-grabbing rather than casual or utilitarian.
The design appears intended to deliver a contemporary high-fashion serif look: dramatic contrast, clean unbracketed hairline serifs, and controlled, upright proportions that prioritize elegance and visual impact in display settings.
In text settings the hairlines and joins create a lively shimmer, especially around diagonals and curved joins, while the strongest verticals establish a firm rhythm. The design’s refinement comes with a fragile-looking top-end: very thin strokes and serifs become visually dominant as texture rather than mass, encouraging generous size and spacing for best clarity.