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Free for Commercial Use

Sans Normal Adbaj 3 is a regular weight, normal width, low contrast, italic, normal x-height font visually similar to 'FF Mark' and 'FF Mark Paneuropean' by FontFont, 'Mirai' by GT&CANARY, 'Antebas' by Lafontype, 'Daikon' by Pepper Type, and 'Bozon' by ROHH (names referenced only for comparison).

Keywords: branding, ui text, headlines, posters, packaging, modern, clean, dynamic, friendly, technical, forward emphasis, neutral utility, contemporary tone, readable italic, oblique, geometric, rounded, streamlined, open apertures.


Free for commercial use
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A slanted sans with smooth, rounded construction and consistent stroke weight. Curves are built from near-circular bowls and open, generous counters, while joins and terminals stay clean and largely unadorned. The italic angle is steady across capitals and lowercase, giving the line a forward rhythm without becoming calligraphic. Proportions feel balanced and contemporary, with round letters (O, C, e) reading soft and even, and straighter forms (E, F, T) kept simple and sturdy; figures are similarly round and clear in silhouette.

Well suited to brand systems needing a contemporary italic voice, as well as interface labels, short paragraphs, and editorial subheads where a gentle forward emphasis helps hierarchy. The rounded, legible forms also make it effective for posters and packaging that want a clean, energetic sans without harshness.

The overall tone is modern and approachable, with a slight sense of motion from the oblique stance. Rounded shapes keep it friendly and contemporary, while the tidy, even strokes lend a practical, tech-adjacent neutrality suitable for general UI and brand communication.

The design appears intended as a versatile oblique sans that preserves clarity and neutrality while adding momentum through its slant. Rounded geometry and consistent strokes suggest a focus on broad usability across digital and print applications, offering emphasis without resorting to high contrast or ornamental features.

Spacing appears open and even in the sample text, helping the italic maintain readability in longer lines. The design favors clear silhouettes and consistent curve logic, avoiding sharp corners or decorative details that would push it toward a display-only feel.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸