Sans Superellipse Guriy 3 is a bold, normal width, monoline, upright, normal x-height font visually similar to 'B52' by Komet & Flicker (names referenced only for comparison).
Keywords: headlines, branding, logos, posters, packaging, futuristic, techy, friendly, playful, industrial, modernize, differentiate, brand impact, tech styling, rounded, blocky, geometric, soft corners, stencil-like.
A heavy, rounded geometric sans with a superellipse construction: counters and outer shapes lean toward rounded rectangles, and corners are consistently softened. Strokes are largely uniform, producing a solid, compact texture with minimal contrast. Many joins and terminals show angled cuts and notches that create a subtly segmented, almost stencil-like feel, especially in diagonals and branching forms. Round letters like O and Q are squarish and wide in feel, while curves throughout are controlled and tightly radiused for a clean, engineered rhythm.
Well-suited for display applications such as headlines, logos, brand marks, product packaging, and poster typography where its chunky rounded forms and signature cuts can be appreciated. It also fits UI or tech-themed graphics when used for titles, badges, or labels that need a robust, modern voice.
The overall tone reads modern and tech-forward, with a friendly softness from the rounded corners. The angled incisions add a sporty, engineered edge that can feel game-like or sci‑fi without becoming decorative. Its bold presence makes it confident and attention-grabbing while remaining approachable.
The design appears intended to merge a rounded-rectangle, industrial geometry with small engineered cut-ins that add character and help differentiate letterforms. It aims for a contemporary, tech-oriented personality that remains friendly and highly legible at larger sizes.
The distinctive notches and chamfered joins act as a signature motif across uppercase, lowercase, and numerals, helping maintain consistency at display sizes. The dense shapes and squared counters suggest strong performance in short strings and headlines, while longer text may feel visually insistent due to the weight and tight internal spaces.