Sans Superellipse Firoh 2 is a very bold, very wide, low contrast, italic, tall x-height font visually similar to 'Tactic Sans' by Miller Type Foundry, 'Phonk' by Slava Antipov, 'Millenium Pro Italic' by TypoStudio Pro, and 'Uniwars' by Typodermic (names referenced only for comparison).
Keywords: headlines, logos, posters, sports branding, gaming ui, sporty, futuristic, assertive, techy, energetic, impact, speed, modernity, branding, display, oblique, extended, rounded, blocky, streamlined.
A heavy, extended sans with a consistent oblique slant and rounded-rectangle construction throughout. Curves and counters are squarish and softened, producing superelliptical bowls in letters like O, D, and P, while diagonals in A, V, W, X, and Y are sharp and clean. Strokes are monoline and tightly controlled, with broad horizontal spans, compact apertures, and generous internal rounding that keeps the dense weight from feeling brittle. The lowercase shows a tall x-height and sturdy, simplified forms; terminals are generally clipped or subtly rounded rather than tapered, reinforcing a compact, engineered rhythm.
Best suited to display settings where impact and motion are desired, such as headlines, posters, brand marks, esports or sports identities, and bold campaign graphics. It can also work for short UI labels or packaging callouts when a condensed block of text needs to feel energetic and modern, but its density and slant make it less ideal for long-form reading.
The overall tone is fast, muscular, and contemporary, with a synthetic, performance-oriented feel. The oblique stance and wide footprint read as dynamic and forward-moving, suggesting speed, competition, and modern tech branding.
The design appears intended to deliver maximum visual punch with a streamlined, forward-leaning stance and rounded-rectangular geometry that feels modern and industrial. Its consistent monoline structure and softened corners suggest a goal of combining toughness with a refined, engineered finish.
Counters tend to be rectangular with softened corners, and spacing appears designed to hold together at large sizes where the mass and slant become a graphic feature. Numerals follow the same rounded-rectangle logic, staying visually consistent with the uppercase.