Sans Other Ebji 3 is a very bold, normal width, low contrast, upright, normal x-height font visually similar to 'Ft Zeux' by Fateh.Lab (names referenced only for comparison).
Keywords: posters, headlines, logos, packaging, signage, industrial, techno, brutalist, retro, mechanical, impact, futurism, ruggedness, display voice, graphic identity, angular, blocky, chiseled, stencil-like, notched.
A heavy, geometric sans with an aggressively squared silhouette and frequent diagonal cuts that create a chiseled, notched profile. Strokes are monolinear and tightly controlled, with hard corners, flat terminals, and occasional stepped interruptions that read as stencil-like breaks rather than smooth joins. Counters tend to be compact and rectilinear, and several forms show asymmetric bite-outs or chamfered corners that add a rugged, engineered texture. Spacing and widths vary across glyphs, producing a punchy, uneven rhythm that feels deliberate and display-oriented rather than text-neutral.
Best suited for posters, headlines, logos, and packaging where its angular cut details can be appreciated at display sizes. It can also work for signage or UI moments that want a rugged, game/tech aesthetic, but it is less comfortable for extended paragraph text due to its dense counters and disruptive stencil-like cuts.
The overall tone is industrial and techno, with a retro arcade/sci‑fi edge. Its sharp cut-ins and block massing give it a tough, utilitarian feel that suggests machinery, warning labels, and digital-era signage rather than friendly modern minimalism.
The design appears intended to deliver maximum visual weight with a fabricated, machined character—using chamfers, notches, and stepped joins to turn simple sans structures into a distinctive industrial display voice.
At larger sizes the distinctive notches and chamfers become the main identity; at smaller sizes those interior breaks can visually fill in, making some shapes feel denser and more compact. The design favors impact over smooth reading flow, especially in longer lines.