Print Jekat 1 is a very bold, normal width, low contrast, upright, normal x-height font visually similar to 'Knicknack' by Great Scott, 'Autumn Voyage' and 'Mind Boggle' by Hanoded, 'Neue Reman Gt' and 'Neue Reman Sans' by Propertype, and 'Core Sans CR' by S-Core (names referenced only for comparison).
Keywords: headlines, posters, packaging, children’s, branding, playful, friendly, bubbly, casual, retro, approachability, playfulness, handmade feel, impact, softness, rounded, chunky, soft, bouncy, cartoonish.
A heavy, rounded display face with softly inflated strokes and blunted terminals. Letterforms are compact with generous curves, minimal contrast, and slightly irregular hand-drawn edges that keep the rhythm lively without becoming messy. Counters are small and rounded (notably in B, P, R, a, e), and joins often pinch subtly, giving forms a molded, marker-like look. Spacing reads open for such a dense weight, helping the alphabet and numerals stay legible at headline sizes.
Best suited to headlines, posters, packaging, and logo-style branding where a warm, playful tone is desired. It also works well for children’s materials, informal signage, stickers, and social graphics that benefit from bold, rounded letterforms with clear silhouettes.
The overall tone is upbeat and approachable, with a kid-friendly, snackable sweetness that feels more fun than formal. Its soft geometry and gentle wobble suggest hand-made warmth, lending a lighthearted, humorous voice to short phrases and punchy statements.
The design appears intended to deliver a bold, approachable hand-drawn print look—prioritizing charm, softness, and immediate readability over precision. Its inflated shapes and gentle irregularities aim to communicate friendliness and fun in short, high-impact text.
Uppercase and lowercase share a consistent, rounded construction; the lowercase has a simple, single-storey feel and maintains the same chunky color as the caps. Numerals follow the same inflated logic, with particularly round bowls and a friendly, non-technical presence. The font’s personality is strongest at medium-to-large sizes where the subtle unevenness reads as charm rather than distortion.