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Free for Commercial Use

Sans Superellipse Nyja 6 is a very bold, normal width, low contrast, upright, normal x-height font visually similar to 'Khonsong Rounded' by Jipatype, 'Progressiva' by Outras Fontes, 'Movida' by ROHH, 'Core Mellow' by S-Core, and 'Delm' and 'Quan Pro' by Typesketchbook (names referenced only for comparison).

Keywords: headlines, posters, branding, packaging, logotypes, playful, friendly, chunky, retro, cheerful, approachability, impact, display, warmth, simplicity, rounded, soft corners, bulky, compact, blunt terminals.


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A heavy, rounded sans with softly squared (superelliptical) curves and consistently low-contrast strokes. Letterforms are built from broad, compact shapes with blunt, rounded terminals and generous corner rounding, producing a smooth, cushiony silhouette. Counters are relatively tight and often rounded-rectangular, and the overall rhythm feels sturdy and even rather than delicate. The lowercase keeps simple, single-storey forms (notably a and g), with short ascenders/descenders and wide, stable stems; numerals follow the same chunky, rounded construction for strong consistency in mixed text.

Best suited for headlines, posters, packaging, and brand marks where a friendly, high-impact voice is desired. It also works well for short UI labels or signage when you want soft, approachable emphasis, and for playful editorial callouts where the rounded geometry can carry personality without ornament.

The font projects a warm, approachable tone with a distinctly playful, throwback flavor. Its bold, inflated shapes read as upbeat and kid-friendly, while the compact geometry gives it a confident, poster-like presence.

The design appears intended to deliver maximum visual weight with softened geometry, pairing bold presence with a friendly, non-aggressive feel. Its rounded-rectangle construction suggests a focus on contemporary, approachable display typography that remains highly legible in short bursts.

The design emphasizes mass and continuity over sharp detail: joints are smoothed, curves are broadly drawn, and interior spaces stay small, which can increase impact at display sizes while reducing fine differentiation in dense settings. The overall texture remains uniform, with minimal stroke modulation and a steady, blocky cadence across caps, lowercase, and figures.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸