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Sans Superellipse Ifwi 8 is a very bold, wide, low contrast, upright, tall x-height font.

Keywords: headlines, posters, sports branding, packaging, logotypes, sporty, industrial, assertive, retro, playful, impact, branding, display, signage, texture, blocky, rounded corners, soft geometry, compact counters, stencil-like cuts.


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A heavy, block-forward sans with rounded-rectangle construction and softened corners throughout. Curves resolve into superellipse-like bowls (notably in O, C, G, and lowercase o), while straight strokes end in squared terminals with generous rounding, producing a friendly but forceful silhouette. Counters are compact and often rectangular, and several glyphs show small internal notches/cut-ins that create a slightly stencil-like texture without breaking the letterforms. Spacing appears sturdy and even, supporting dense setting while keeping shapes highly recognizable at display sizes.

Best suited for display typography where impact and clarity matter: headlines, posters, sports or event branding, and bold packaging systems. It can also work for logotypes and short UI labels where a chunky, friendly-industrial voice is desired, though long passages will feel dense due to the compact counters and heavy mass.

The font projects a confident, energetic tone that reads as sporty and industrial at once. Its rounded geometry keeps it approachable, while the thick, blocky forms and tight apertures add a tough, poster-like impact. The subtle cut-ins introduce a playful, engineered feel reminiscent of arcade, athletic, or product-marking aesthetics.

The design appears intended to deliver maximum presence with a rounded, engineered geometry—combining approachable curves with hard-working, sign-like block forms. The consistent superelliptical bowls and small cut-in details suggest a deliberate effort to create a distinctive, brandable texture while maintaining straightforward legibility.

The design favors strong, simplified silhouettes with minimal modulation, making it especially punchy in headlines. Diagonals (A, V, W, X, Y) are broad and stable, and numerals share the same rounded-rect logic with bold, sign-like clarity. The small internal cuts are consistent enough to feel intentional, adding texture that can become a defining brand cue at larger sizes.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸