Sans Normal Abmut 14 is a regular weight, normal width, low contrast, italic, normal x-height font visually similar to 'Izmir' by Ahmet Altun, 'Endorphin' by Tall Chai, and 'Causten' and 'Causten Round' by Trustha (names referenced only for comparison).
Keywords: ui text, editorial, infographics, presentations, signage, clean, modern, neutral, friendly, technical, modern utility, legibility, clean emphasis, contemporary tone, oblique, monoline, open apertures, rounded forms, crisp terminals.
A clean, oblique sans with monoline strokes and rounded, ellipse-driven bowls. The design uses smooth curves and gently squared joins, with a steady rhythm and generous internal counters that keep letters open and readable. Terminals are mostly plain and crisp, and the overall construction feels systematic, with consistent stroke behavior across straight and curved elements. Numerals follow the same straightforward, modern structure, pairing round forms with simple angled strokes.
Well-suited to interface labels, dashboards, and product typography where clarity and a modern tone are needed. It can also work for editorial subheads, captions, and infographics, especially when an oblique voice is desired without moving into highly stylized italics. At larger sizes, it remains clean for signage and presentation slides.
The overall tone is modern and matter-of-fact, leaning neutral rather than expressive. Its oblique slant adds a subtle sense of motion and contemporaneity without becoming playful or decorative. The round geometry and open counters keep it approachable and clear.
The design appears intended as a contemporary oblique companion for general-purpose sans typography—prioritizing legibility, clean geometry, and consistent construction. Its rounded forms and restrained details suggest an emphasis on versatility across digital and print contexts.
In the sample text, spacing appears even and the slant remains consistent across mixed-case settings, helping long lines feel cohesive. The round letters (like o/c/e) and the diagonal-driven forms (like v/w/x) balance softness with precision, giving the face a practical, UI-friendly flavor.