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Free for Commercial Use

Sans Normal Osgaz 7 is a very bold, normal width, medium contrast, upright, normal x-height font visually similar to 'Litmus' by Indian Type Foundry, 'MC Arkevs' by Maulana Creative, 'Ocean Sans' by Monotype, 'Clearface Gothic SB' and 'Clearface Gothic SH' by Scangraphic Digital Type Collection, 'Cleargothic Pro' by SoftMaker, and 'Clearface Gothic' by URW Type Foundry (names referenced only for comparison).

Keywords: headlines, posters, branding, packaging, display ui, confident, friendly, punchy, modern, impact, approachability, clarity, modernity, rounded, blocky, compact, high-impact, clean.


Free for commercial use
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This typeface is built on heavy, rounded skeletons with generously filled counters and smooth, continuous curves. Strokes are consistently thick with only subtle modulation, and joins and terminals tend to resolve into soft, squared-off endings rather than sharp points. Uppercase forms feel sturdy and compact, while lowercase keeps a straightforward, single-storey construction where applicable, maintaining a strong, even rhythm. Numerals match the letterforms with broad bowls and simple, robust shapes that read clearly at large sizes.

Best suited for headlines and short-form display settings where strong presence is desired, such as posters, brand marks, packaging callouts, and promotional graphics. It can also work in interface headers or labels when a bold, friendly emphasis is needed, though its dense weight suggests using it with ample spacing and at larger sizes for comfort.

The overall tone is bold and direct, projecting confidence and approachability at the same time. Its rounded geometry and dense color give it a friendly, contemporary feel that leans more expressive than neutral, making it well suited to attention-grabbing messaging.

The design appears intended to deliver maximum visual impact with a soft-edged, approachable geometric voice. Its consistent heaviness and simplified construction prioritize clarity and memorability in display contexts over delicate detail.

The design produces a dark, uniform typographic color with tight-looking internal space in many letters, which amplifies impact in headlines. Curved characters (like C, G, O, S) emphasize smooth circularity, while straighter letters (like E, F, H, N) keep an orderly, no-nonsense structure for balance.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸