Sans Superellipse Ognab 1 is a very bold, narrow, low contrast, upright, normal x-height font visually similar to 'Gotham' by Hoefler & Co., 'Ardoise Std' by Typofonderie, and 'Eastman Condensed' by Zetafonts (names referenced only for comparison).
Keywords: headlines, posters, packaging, sports branding, signage, punchy, industrial, sporty, compact, sturdy, high impact, space saving, modern utility, brand emphasis, headline clarity, rounded corners, blocky, condensed, heavy, geometric.
This typeface uses thick, even strokes with softened, rounded-rectangle terminals that give letters a molded, superelliptical silhouette. Curves are broad and controlled, counters are relatively tight, and joins stay simple and sturdy, creating a compact rhythm with minimal detailing. Vertical strokes dominate and horizontals are short, producing a tall, compressed feel; spacing appears firm and utilitarian, supporting dense set text and large headlines alike.
It performs best when used large for headlines, posters, and bold editorial callouts where its compact width and heavy presence can build strong typographic color. The sturdy shapes also fit branding and packaging that needs a confident, modern voice, as well as signage or labels where simplified forms and rounded corners help maintain legibility at a glance.
The overall tone is forceful and no-nonsense, with a contemporary, industrial energy. Its rounded corners keep the heaviness from feeling harsh, adding a friendly, approachable edge while still reading as tough and assertive. The condensed build and bold texture suggest urgency and impact—well suited to attention-grabbing messaging.
The design appears intended to deliver maximum impact in a space-efficient footprint, pairing a condensed stance with rounded-rectangle geometry for a modern, engineered look. Its simplified construction and consistent stroke weight prioritize bold presence and reliable readability over finesse, aiming for a strong, contemporary display workhorse.
Round letters like O/C/G read as squarish superellipses rather than true circles, and several forms show modest ink-trap-like notches or flattening at tight interior corners to preserve clarity in heavy strokes. Uppercase and lowercase share the same robust construction, and numerals follow the same compact, block-forward geometry for a unified voice across text and figures.