Sans Superellipse Ograr 11 is a very bold, narrow, low contrast, upright, normal x-height font visually similar to 'Klik' by Fenotype, 'Duotone' by Match & Kerosene, 'Colosso' by More Etc, 'Merchanto' by Type Juice, and 'Palo' by TypeUnion (names referenced only for comparison).
Keywords: posters, headlines, logos, packaging, signage, punchy, retro, playful, sturdy, poster-ready, impact, warmth, compactness, display clarity, brand character, rounded corners, compact, blunt terminals, soft-rectilinear, closed apertures.
A compact, heavy sans with soft-rectangular (superellipse-like) curves and consistently rounded corners. Strokes are thick and even, with blunt terminals and minimal modulation, creating a dense, blocky color on the page. Counters tend to be small and fairly closed, while the overall construction mixes straight sides with rounded joins for a sturdy, engineered feel. Spacing is tight and the rhythm is emphatic, favoring bold silhouettes over fine detail.
Best suited to headlines, posters, signage, and branding moments where strong presence and quick legibility matter. It also fits packaging and label design, especially where a bold, friendly, slightly vintage voice is desired. For body text, it will be most comfortable in short bursts or large settings due to its dense texture and tight internal space.
The tone is bold and assertive with a friendly, slightly retro flavor. Its rounded-rectangle geometry reads as approachable and playful, while the heavy massing adds confidence and impact. Overall it feels built for attention—more expressive than neutral—without becoming whimsical or script-like.
The design appears intended to deliver maximum impact with a compact footprint, using rounded-rectangle construction to keep the tone warm rather than harsh. It balances straightforward sans structure with distinctive squarish curves, aiming for a memorable display voice that remains clean and practical.
Round letters lean toward squarish bowls, giving the font a distinctive “softened block” identity. The numerals share the same chunky, rounded structure and hold up well at large sizes, where the compact counters become part of the character. In longer lines, the dark texture is prominent, so it works best when contrast and breathing room are provided through layout rather than lighter letterforms.